Recently, during a business liquidation, I came across a set of unopened vintage items that sparked something deeper than usual curiosity. All still in their original packaging and dating between 1987 and 1993, the collection included a silverplate demitasse set, crystal candlesticks, bowls, and vases—items once meant for celebration, gift-giving, or elegant entertaining.
A recent consignment client of mine had a statuette called Le Paysan by L.F. Moreau. The title of the piece was engraved on a placard attached to the wooden pedestal, and the artist’s name shown on the bottom of the statue near the base. I am always coming across these kinds of items, striking and of obvious stature, but about which I know nothing at all, so some investigation was required.
In the history of American art, few names are as closely associated with Broadway as Al Hirschfeld. Known as the “Line King,” Hirschfeld captured the spirit of stage and screen with his unmistakable style—simple, elegant, and profoundly expressive. For over 80 years, his artwork didn’t just depict performances; it preserved the very essence of American entertainment.
I have had the good fortune recently to work on the estate sale of a descendant of a Hollywood legend. The seller’s grandfather was a man named William Cameron Menzies. William Cameron Menzies was a pioneering American production designer, art director, and film director, best known for his groundbreaking work in visual storytelling and his significant influence on the look and feel of early Hollywood films.
When most people think of Avon, they imagine the iconic "Avon Calling" catchphrase, neighborhood sales reps, and classic cosmetics. But there’s another side to the brand’s story—one rooted in nostalgia, design, and unexpected value.
