A recent consignment client of mine had a statuette called Le Paysan by L.F. Moreau. The title of the piece was engraved on a placard attached to the wooden pedestal, and the artist’s name shown on the bottom of the statue near the base. I am always coming across these kinds of items, striking and of obvious stature, but about which I know nothing at all, so some investigation was required. This elegant statuette — depicting a youthful peasant with a bundle of wheat and a rake — is part of a larger tradition of romantic realism that flourished during the late 1800s, but as with many antique-style artworks, the question often arises: is the piece a genuine 19th-century casting or a 20th-century reproduction? Let’s explore the history and significance of this work, and how to tell the difference.


Who Was L.F. Moreau?
The name “L.F. Moreau” is typically associated with Louis Auguste Moreau (1855–1919), a member of the prolific Moreau family of French sculptors. His works — and those of his brothers, Hippolyte and Auguste — are celebrated for their expressive, romanticized depictions of everyday people. When you see a sculpture signed “L. & F. Moreau,” it often refers to collaborations or stylistic overlaps between Louis and his brothers. These artists were active during the height of the Art Nouveau and Romantic Realist movements, when the idealization of peasant life was a common artistic theme.
About Le Paysan
The title Le Paysan translates to “The Peasant,” and the sculpture typically captures a rustic figure in a contemplative or graceful pose, often barefoot and in simple clothes, holding symbols of agricultural life. These figurines exemplify the Moreau brothers’ talent for imbuing ordinary subjects with elegance and poetic dignity.
The Moreaus' works were popular with the French bourgeoisie and European collectors alike. Their sculptures were typically cast in spelter — a zinc-based alloy — which allowed for detailed reproductions at a lower cost than bronze. Some editions, particularly the early or high-end ones, were cast in true bronze and mounted on marble or onyx bases. However, spelter versions made these artworks more widely accessible and explain their continued popularity today.
Assessing Authenticity: Is It the Real Deal?
If you’ve inherited or purchased a Le Paysan statuette, your first question might be: is it an original or a reproduction? Here are a few tips to help assess its authenticity:
1. Material Matters
Originals from the 19th century were often made of bronze, which is heavier, colder to the touch, and has a richer patina. Reproductions — particularly from the 20th century — are commonly spelter, which is lighter and more brittle. If you can lift the sculpture easily or see a silvery-metallic underlayer beneath a faux bronze coating, it’s probably spelter.
2. Inspect the Base and Signature
Original sculptures often feature engraved or cast signatures, typically reading “L. Moreau” or “L. & F. Moreau,” sometimes along with foundry stamps. Reproductions often have a metallic nameplate (like a plaque reading “Le Paysan – L.F. Moreau”) attached to a modern base, often made of composite or painted wood. This is a common giveaway for 20th-century decorative pieces.
3. Patina and Finish
Authentic bronze sculptures develop a complex patina over time — a varied, aged surface coloration that adds depth and value. Reproductions usually have a more uniform, sprayed-on finish, with a consistent color and sheen throughout.
4. Underside Clues
Flip the piece over, if possible. A genuine bronze casting may have a closed, finished base or visible foundry markings. In contrast, reproductions often have a hollow or felt-covered underside and may show screws or mold seams.
Value and Collectability
Even if your Le Paysan is a reproduction, don’t despair. Decorative casts from the 20th century — particularly well-made spelter versions — still have market value. Depending on size, condition, and presentation, they can sell for $100 to $400, sometimes more. Authentic bronze editions can fetch significantly higher prices, especially if signed and tied to a known foundry.
Final Thoughts
Based on this information, my client’s statue was a 20th century reproduction, and not an original Moreau casting. But Le Paysan is more than a sculpture — it’s a reflection of an era when art sought to romanticize the everyday. Whether you own an original or a beautiful reproduction, you’re holding a piece of cultural history that speaks to the timeless dignity of honest labor and rustic life.
If you’re unsure about the value or authenticity of your piece, consider consulting a reputable reseller or professional art appraiser.
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